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The CGI-enhanced big-bang finale is daft but fun. A romantic montage set against Cuba’s azure waters is pretty in a shampoo commercial kind-of-way but unnecessary. The energy of the combat and the colourful settings are crucial as there’s not enough meat on the bones of the plot to sustain its 142 minute running time. He then becomes distracted by Zoya (Katrina Kaif), a winsome dance teacher with secrets all her own, and love blossoms over the remainder of the pre-interval first-half.Īction fans will be happier with the second act, which sees Zoya and Tiger bond over some well-staged chase and fight scenes in Istanbul and Havana. Whilst on the Emerald Isle, Tiger, undercover as a nerdy writer, manages to demolish a metro-link tram and attend an utterly hilarious musical theatre rendition of Pinocchio by a troupe of river dancers. He’s soon given his next assignment by his RAW boss and mentor (Girish Karnad): observe and infiltrate the life of a Dublin-based professor (Roshan Seth, wasted in a bit part) who may be developing weapons technology with Pakistan. On his return home, we learn that Tiger is a neighbourhood hero, the villagers whispering and giggling every time he appears to collect his morning milk (suggesting there is nothing secret about his secret agent life). Cue Tiger’s leap from a three-storey window and onto the roof of a passing vehicle where he nails a firm, two-footed landing and some parkour-inspired rooftop-to-rooftop leaping (thanks to a remarkably thinner stunt-double). The first shot of the character is in silhouette, his hulking, shadowy form towering over the metropolis below clearly, this will be a film that trades in superhero-sized mythology. The film kicks off in Northern Iraq, where Khan’s RAW agent 'Tiger’ is taking out a double-agent. But the minor variations employed to differentiate Ek Tha Tiger from past efforts like Bodyguard (2011) and Dabangg (2010) simply aren’t enough to give this highly-anticipated work a flavour or voice of its own. The Hindi-language romantic-thriller vehicle for Salman Khan stringently adheres to the same formula that has seen the brooding, pouty star conquer Bollywood for the last few years. The minor variations simply aren’t enough to give this highly-anticipated work a flavour or voice of its own Barely deviating from traditional Indian super-spy films which have long traded in familiar tropes, Kabir Khan’s preposterously cartoonish Ek Tha Tiger delivers solid thrills with minimum intellectual investment.